Yesterday I drove up switchbacks
through the Tuscarora Mountains
- these that create a a few fertile valleys in central Pennsylvania-
to a small stream with native brook trout and wild brown trout.
Most people wouldn't consider driving
this far just to fish a small stream.
Destinations are different
for those of us who like to spend
their days in large swaths of public forests
on water with wild trout
and no people.
It was still cold in the morning,
April has been a long March,
and a black woolly bugger jigged
through the deep pools
worked until noon.
The sun stretched itself out over the valley
by early afternoon.
Bugs - caddis, midges, a few black stoneflies -
little puffs of bug smoke
in the warm spots.
There was a pool that,
with every cast of my caddis,
a trout would strike it.
This, that little ten foot pool
and those hungry fish,
is always worth the drive.
I love driving down dirt rods. The ones that go through public lands and arch their way around mountains and into ravines. That follow streams up into their headwaters.
The road splits when a tributary enters, where the mountains fold into each other and you have a choice. Right, Left. I'll pull off when there's space and search the water for wild trout. I fill my days with their dirt and their mysterious bends as much as possible.
That plunge pool is at least fifteen feet deep. I was hoping to see some brown trout rising, but the water this far north is still cold, still in its early spring mode. No bugs to be seen, still ice in the north side hollows.
This bend mirrored the roads I drove around this weekend. Long slices of rock curving, cutting deep into the dirt, hiding dark runs still waking up from winter.
You can find a new poem of mine, "Frozen Antlers," in the Fly Fishing Edition of Gray's Sporting Journal.
My poem, "You Laughed when I didn't know what 'Jaded' Meant", is published in the new issue of the San Pedro River Review - "Music", Spring 2018 Volume 10 Number 1. You can purchase a copy here.
I had more time to explore on Sunday, so I decided to check out a new section of a larger limestone creek that I had fished a few times previously. This stream is often overlooked; though there is one particular spot that seems to get the most attention. I didn't see anyone else on the water.
Since this was new water to me and the levels were a bit up, I slowly worked my way out to a long mellow run tight line nymphing. On the set as I was lifting the rod to cast, I felt what I thought was a rock when it rolled over and shot downstream. I kept working him back over closer to the bank, trying to get upstream of him as we coasted down under a bridge. After about 50 yards, I finally, kind of, netted this beautiful rainbow. Though stocked, this dude had definitely been in the water for a few years. Beautiful colors. I've never hit the 20" mark this early in the year. I love the back and forth of a good right. There is a metaphor here that I'm going to keep working on.
After the rainbow and the adrenaline, I realized that my left boot was leaking. I kept fishing, but after another hour or so, my foot was completely numb so I got in the truck and drove upstream to warm up a bit. I fished one last section as rain starting gathering through the valley and landed a handful of wild browns. They all took big tungsten nymphs on the bottom. I'm ok if January freezes up again. I'll be waiting for the next thaw.
It only took until the 5th day of the new year for the river to freeze. Though the deep channel that curves around the York side is still clear, it's calm and crinkles in the wind. Only a matter of another few hours of these deep chills for it to close up. The banks on this side have a deep ice to them that's beginning to crater outwards with the slow downstream pressure of freezing water. Wind creases itself across the ice like white flies skittering in flits and tantrums.
Walks with Whitman have grown shorter. Today we made it down a game trail and found a piece of shelter someone built in the past few months. A duck blind tucked into a little hill built with driftwood and discarded lumber. If the ground were level it'd be a great spot for a nap. We don't stop too long these days.
The river freezes into streams before going completely still. As the days get progressively colder and the water slows down, you're able to see the currents make their way through limestone. The freeze hits the water along the banks first immediately extending its reach into the eddies and flats. Some of the water, when its shallow over rock falls, will cling to the tops and reach itself over, leaving a current between itself and the rock, insulating it from the cold it seems.
A couple of weeks ago I traced out a blue line into a state forest, took a drive, and fished for brookies and browns. It was nice not to have anyone around; so much so that I almost ignored the No Trespassing signs in order to hit one really deep hole under a hemlock. I reached the downstream border and knew I had to turn around. I did swing a bugger out, across, and down into the water a couple of times before I left. I doubt you could fine a fly caught in a current for trespassing. Especially after a few days of heavy rain.
I went back to the deep pool a bit past the bridge and quickly hooked into a pretty nice sized brown trout super low on a hare's ear. I lost him at the tail end of the pool, never getting the hook set well enough. Upstream, after the downed oak made for an interesting redirection - a plunge pool only about a foot long, seven feet long, into a quick run before hanging left again - a nice long slow pool and a dead raccoon. No fish rising.
I fished the whole afternoon, but only covered about 3/4 of a mile of water. It was one of those beautifully intricate mountain freestone streams - every few feet a new piece of water to be read. The trout were in their late fall colors. The brookies were getting bright and ready to spawn and the browns had the yellows melting off their red spots.
I don't fish for numbers. Once you start down that road the only places you have to go are down or up. I don't get it. Calculating my fishing experience based on how many caught or lost or missed or just didn't see seems archaic and too much like a competition. I'd rather catch one wild trout on a stream without anyone around than 20 stocked fished sharing the water with others. Anyway, I went antiquing with the wife last week and, tucked behind a small counter in a corner of a basement shop was an old fiberglass fly rod in great shape. It's a 7' 5 wt AFTMA (?) with 10 guides. 20 bucks. I figure it'll be a great small stream rod for throwing some streamers and heavier nymphs. I can't wait to take it out, not to see how many trout I can catch on it, but to see how the rod will change my approach, my cast, the flies I use. Maybe it'll help me to see the water in different ways. Maybe it'll teach me something I didn't even think about learning. If I'm always going out to catch the most amount of fish, I'll be less likely to be surprised. I'll just high-stick nymph with the same three comfort flies over and over again. Sure, that's a blast at times, but it's also good to cast a rod you found for 20 bucks with a new fly pattern you tried to tie last night while it rained.
Yesterday was inverted. It was cold and rainy until about 9 when a warm front pushed in and spiked the air up into the 50's. This morning I woke up to wind and the last leaves still struggling to hang on to the maples, oaks, and locusts around my house.
The fire red underbelly of ferns yellowed by
low water and late fall
greet us as we step out of maple and oak
into swept old rolling Appalachian mountains.
The green is leaving the canopy along with us, a trail cut
bank along the slide.
Red blazes on pine.
The dirt roads of Pennsylvania
are a good breakfast for a day in the woods.
I swear, some day I’ll just pull off
to the side of one and rest, watch the suns and moons
of its days and nights turn into each other.
Some clouds. A rain.
Cross Forks to Windfall to Red Ridge.
There’re your directions.
Up this high, the ground is soft.
Not like most of Pennsylvania. Didn’t turn my ankle on a rock once.
The trail curves, gaining a few feet of elevation, slowly as it
wraps itself up into the Hammersley Ravine.
No deer. No bear. Just a few chipmunks.
This morning trout were snatching my woolly bugger
as it dipped and streaked through their water.
From up here I see no water. Just endless wooded crescents and ridgelines
folding into each other
tired from the shift of the plates of years ago.
Tonight we’ll eat fajitas around a fire, but right now
it’s just you, me, our dog
standing in the middle of this old burn - 1964 -
small birch stained yellow by October, groves of ferns,
teaberry, dark streaks on rock nestled among little thorns.
We stop and stand before leaving,
eyes closed, a wind comes up out of the deep
sweeps across our mouths, chilling the sweat, the hair at the edge
of our ears.
The taste of this settles in my tonsils.
Shade mountain, Jacks Mountain, Penn's Creek.
A Bobcat in the rear view mirror
with still a few gulps of coffee left in the parking lot.
I got pissed at the big water by noon.
A morning of slight takes and spitting flies
ended with two dudes dropping into the middle of the run I was fishing.
I cut up the bank, crossed into the meadow and threw some hoppers.
It was lunch, I was hungry.
I had eaten my last granola bar an hour ago.
I walked back to my truck and drove up the mountain
until I found a pull off
and the stream winding itself out and away
into the rhododendron and mountain laurel.
I took one fly and my 6'10" rod.
Hiked into the woods
following the only path the water cut.
A few deep plunges,
some shallow riffles,
a cut bank that bled
into a hill of ferns,
some small brook trout
and I was fishing.
Eventually I reached the road,
walked back to my truck and off to find lunch.
We're leaving for Wyoming on Friday.
That means I won't see the river for a few weeks.
By the time we get back, it'll be in its Summer space.
Low, warm water. High grasses. Maybe some hibiscus.
I wanted to get out in it one last morning before we left.
The water's still high and muddy.
The bass seem to be settled below rapids or along the shallow water along the banks.
This one inhaled my slider and immediately took flight.
He was in only a foot of water, right along the bank.
He fought hard down stream.
Jumped a few more times and after a long fight, I finally landed him.
My personal best smallmouth bass - 21",
I was lucky enough to have a good friend along to snap some photos.
This river has some beautiful water and some beautiful fish.
Get out and enjoy it.
Check out the newest issue of The Drake Magazine (Summer, 2017), for my latest essay on fly fishing, Shank's Tavern, the Susquehanna River, and my close friend Steve.
"freely drifting, I prowl the woods and streams
Summer is here.
Nettles are in full throttle.
I walk through them when I'm looking up, paying no mind to my steps,
tramping towards the next fence or bend in the stream, trying to avoid another groundhog hole.
It's never intentional. Sometimes necessary.
Cold water soothes the sting, but long after my legs are still mottled with the red scratches of their thin hairs.
Though, just the other day, I thought I was in the middle of a field of nettles,
mixed in with high grass, but soon realized it was mint. The breeze filled with the cracked leaves
and I rubbed some on my fingertips and on the fly I was casting.
Another day, last week, I found myself walking
the banks of Penns, watching for the air
to fill with bugs.
It was morning, which I tend to enjoy fishing
more than the evening. There's an anticipation
that can last an entire day in the morning.
The evening offers a quick spike
in the denouement of the day. It's subtle and reassuring
but there's always a solemnity in it for me.
Looking up, I realize my shoulder just passed through a cobweb full of Green Drakes.
They got caught as they were leaving their branches to drop eggs into the water late last night.
Some of their wings still twitched.
I promised Whitman a long walk today.
We explored a couple of ponds
set back from the trail
between a copse of trees and a cornfield.
There, he could bark at the ducks
and I could throw a popper for bass.
Check out the latest issue of Susquehanna Life Magazine for my essay on the Susquehanna River, "Bringing a River into Focus".
We set off around 8:30 a.m.
The clouds were coming in from the west over Brunner Island.
The kayaks, smooth.
The water, muddy.
The sun couldn't make it out of the east,
let alone onto our shoulders.
"You're gonna have wet asses"
Steve's uncle politely mentioned as we pushed off.
"Eh," we shrugged. We've been getting advice from his uncles for years
and they're usually right and we usually ignore them.
Just a few weeks ago, they had to tow Steve's boat back upstream
after the engine died,
after they carved a wooden plug so we wouldn't sink.
Luckily, we were able to paddle hard enough to run into some trees
leaning out into the river and tie off so we didn't get washed downstream.
Just a few minutes later and a about a hundred yards downstream, just past the first bend,
it started to rain.
There was a break in the clouds down past Shocks Mill Bridge
so we paddled. Didn't fish much.
Past the Conoy
Past the White Cliffs,
Through the Haldeman Riffles
skirting Ely and Pole Islands aiming for a big slow eddy where we pulled ashore.
There, under a thick grove of river birch and maple,
we had a morning snack and shot the shit for an hour
until the rain passed through.
We watched the water.
I notched off a piece of skin, right at the base of my pointer finger, last night.
Being stubborn when a simple snip would have done.
This morning, I knew I had to get out and up into the woods.
I left in the dark and hit the dirt roads just as my Stanley mug drained of coffee.
Black winged caddis fluttered and flailed up stream. Inches at a time.
The wind caught some rhododendron and for a second it sounded like
barbed wire on aluminum foil.
Most people are with family today for the holiday. It's why I have this water to myself.
Just a thought
while I change flies, chew on some beef jerky, and let the cold limestone water,
the hue of moss and mud,
wash my wound clean.
Like a Tibetan Buddhist shrine deep in the Himalayas, here stands a trash shrine along the banks of a trout stream in central Pennsylvania. For sure it's ugly, but it's the creation of all the mangled jumbled plastic bits that run down the currents of this stream. A reminder as you cast of our ceaseless over-consumption and apathy for our environment.
It's hauntingly beautiful when the wind catches the used quart of oil bottle and it raps against the beheaded doll. Maybe we need more of these shrines since it's become so easy for us to flush away any semblance of pollution or swipe left when glint of a disturbing image catches your eye.
Things to do before Tuesday's Snow Storm
Drink another cup of coffee.
Build a fire and howl at the cold clear night.
Cut down the tall grass that's browned thru the winter.
Pick up large dead limbs taken down by the wind.
Listen to these records:
Loyalty - The Weather Station
Singles- Sun Ra
Helplessness Blues - Fleet Foxes
Superwolf - Superwolf
Get out the shovels.
will fall into the river.
Somehow the beavers keep it solid.
The water behind
is murky with mud and bugs,
grasses and dead wood.
It captures the moonlight
as mayflies hatch.
In the spring it flows.
In the summer it shrinks.
In the fall it fills with leaves.
In the winter it freezes.
The ingredients of a great weekend:
A cabin in the woods
Wild brown trout
Winter in Pennsylvania
Hemlocks and pine
The old rust of last season
wake up covered in snow,
Gone by mid day.
hare's ears on ice.
Killed a 6-point buck with the front end
of my car. Early Friday morning.
"A clean patch of ground after a rain
an ancient pine half-covered with moss
such things appear before our eyes
but what we do with them isn't the same"
There's a county up near where I live that is the pariah of the Susquehanna watershed. Whenever anyone has an incest or meth joke to tell, they be sure to locate it there. It gets written off fairly quickly and regularly, even by neighboring politicians who make bureaucratic jokes at its expense. Most people see it from the interstate - a nice farm valley butting up against a slice of the Appalachians. In the winter, like today, the mountaintops have a glittering of frost on them, like grouse tracks traversing the ridge line. Most of the crevices and caverns aren't seen by anyone but the locals; I think they like to keep it that way.
I took a drive up there today to explore two different watersheds. The day didn't warm until right before lunch, when the sun was halfway through. I started on some nice water in search of roaming brown trout. A few deep pockets and nice runs to check out for the spring, when water is up a bit more. I followed it up to it headwaters and found brook trout before cutting up and across the mountain down into a hemlock holler that cradled shavings of some riffles and runs.
It was getting on into the afternoon by the time I crested the last ridge and headed down into Henry's Valley. The last creek turned out to be the most enjoyable. The stone were freer when they tumbled down this ravine and in return, they were rewarded with a plethora of cold springs. Ice shelves created pocket water and opaque slices up and downstream. I found a frozen over beaver pond that will be great to fish in the late spring.
The sultry September summer air drifted in through the open doors of the theater mixing the smell of decaying plaster and patchouli; reminiscent of the mixed generations of people who showed up for a beautifully intimate performance by Steve Gunn in the lobby of the historic Lansdowne Theater. Industrial fans, set up like sentries at both sides of the lobby where the bathrooms once were, blew through the heavy humidity. Light, occasionally flickering in, found its way onto the ancient scrolls of flaking paint on the walls and ornate carvings marking steps across the ceiling. Faded paintings of ships sailed above the cracked concrete where fountains used to stand and greet visitors.
With, at most, 100 seats, the lobby was completely full of people as an old friend of Mr. Gunn's took the stage to introduce him. His preamble was an amazing, rambling homage to the community that he and Steve created in Lansdowne as kids. It marked the occasion perfectly; this was a homecoming and a celebration of community, of saving a special part of the past for the future while performing in the present. As an outsider who never stepped foot in Lansdowne and, honestly, only came because I am in love with Gunn's music, I was moved by the connections to place, home, and family that were celebrated at last night's show that was set up to raise money to restore the Lansdowne Theater.
The meandering introduction to "Water Wheel", relaxed and cyclical, like a a small stream low after a long drought gently pushing the wheel for another spin, set the rhythm for the night. Each song was full of Gunn's sweat and sweet improvisation. "Night Wanderer", about a cat prowling around Lansdowne at night, was next and the first track played off of his latest record, Eyes on the Lines. The song, stripped down like it was, connected eloquently back to the introduction and the powerful connection to this austere place the audience and musician have.
I was giddy when Gunn took a few minutes to tune his guitar and mention that, because of the heat, he was going to take the next song slow and that "it'll be kind of long". I knew it was going to be "Old Strange", a personal favorite of mine. Gunn played the intro for a few minutes and abruptly stopped to let us know that it was borrowed from an old Greek folk tune and that the song was in honor of a local Greek Pizzeria, which drew a loud applause from the hometown crowd. There's this lick inside of that track that, even when the music goes far beyond where it started, is still lifting the tune on its back and taking it through the dark woods and a "path through the fields/to find out what was real....". That riff shows up throughout my days, playing a subtle rhythm while I'm teaching the kids about the rhetorical situation or mowing my grass or walking Whitman down to the river. It's beautiful and I never want it to end. I could have sat there on that hard plastic folding chair with my eyes closed and listened to him play that song for hours, days, forever, just to watch that melody come back and leave, come back, leave, diminish, then expand, endlessly going back and forth and reaching itself out like a patch of mint that grows and dies and with each death comes back even taller and further out from where it sprouted.
Gunn then went into a set of newer numbers from the last two records - "Ancient Jules", "Milly's Garden", "Way Out Weather" and "Ark" with winsome stories about his championship youth soccer team (which, I think, Kurt Vile also played on), skateboarding in the parking lot out back, and his short run with the Boy Scouts scattered throughout. "Milly's Garden" was more of an improvisational track. He sang the first stanza a few times until eventually making his way to the chorus. We were left to fill in the rest of the lyrics as he kept coming back to remind us that "...your faith is savage, your mind is damaged, you're more than halfway there..." while taking the song into all the corners and cracks of the lobby. "Ancient Jules" has been the soundtrack to my summer since it came out earlier this year with the lines "take your time, ease up, look around, and waste the day". It was my mantra for my summer vacation and it took me to some beautiful places. Thank you, Steve.
The show ended with "Wildwood", which Gunn mentioned was his father's, who recently passed, favorite song. He dedicated it to his mother and sister who were in the audience and mentioned how much it meant for him to play it that night; a perfect ending to this great homecoming and celebration of place, family, friends, and great music.
Way Out Weather
Sketches & scatterings. Rooted in Pennsylvania along the Susquehanna River.